Date night, date night…date night, date night…
About 10 years ago, Darin went to Japan on a business trip. At the end of that trip, he flew to Detroit to go to MacHack, and he had a stopover in San Francisco International. We were still in the cute phase of our relationship, because I went to the airport and met him in the passenger lounge, where I found him exhausted and not at all looking forward to the next four hour flight, and I gave him a bag of Gummi Savers, which was then his favorite candy snack.
Man. That is saccharine-level cute.
Anyhow, one of the things he brought back from Japan were the complete works of Hayao Miyazaki on laserdisc, which weren’t yet available here in the US: Laputa, Kiki’s Delivery Service, Totoro. We watched them all, in Japanese, and I really enjoyed all of them.
Since then, Miyazaki’s been imported by Disney. There was a big splash a couple of years ago with Princess Mononoke, a film I didn’t particularly enjoy. And now there’s Spirited Away.
Chihiro, a young girl, is moving with her parents away from everything she’s ever known to a new house and a new school, and she is not looking forward to it. On the way to their new house her father takes a “shortcut” and they end up at a strange abandoned theme park. Turns out to be a spirit playground, and when Chihiro’s parents get transmogrified by strange magic, Chihiro has to stay at the bathhouse of the spirits to rescue them.
I liked Spirited Away a whole lot. There’s lots of great visuals (well, it is a Miyazaki movie), and there are some fun-to-watch setpieces. Plot is not Miyazaki’s strong point—for example, early on Chihiro is given a test and is told, “Do this and don’t let the boilerman scare you away or trick you into leaving,” but the actual scene isn’t that much of a confrontation—but I found Spirited Away to be more coherent and accessible than Princess Mononoke.
There are some very gross (as in, “Ewwww”) scenes, and I think the movie is probably too filled with tension for the younger set. Darin and I both agreed that Sophia would be ready to see this movie when she was, say, 15. She would enjoy the premise of this movie—all about kids and grownups!—but there are lots of scenes that are intense in a way that definitely a 3-year-old can’t handle. (Only recently has she been able to handle the scene where Pooh’s tushy gets stuck in Rabbit’s front door.)
The story doesn’t build in a way I’d like, and there are some revelations that seem to come out of left field (like I said, not Miyazaki’s strong point), but there’s some fun stuff in there for adults.